新木马屠城记

没有丢掉原本故事的味儿，但又有了更丰富的情节。

Helen是一个更重要的线索，正如标题所说。

叫“木马屠城”却总觉得有点奇怪。

还是很感人的。

每一个角色都塑造的很不错。

甚至连Paris都没那么讨厌了。

阿伽门农和墨涅拉奥斯的形象我很喜欢。

尤其后者。

觉得他们已经不是高度抽象的英雄，而是有人性的真实存在。

阿伽门农一开始就意欲占有海伦。

但海伦只是一个借口，他最渴望征服的是征服特洛伊。

墨涅拉奥斯是个软绵绵优柔寡断的家伙。

我很喜欢他和Hector决斗那段。

不过电影在表现时间跨度的时候手法并不高明。

并没明显感觉到有10年之久。

Hector那么快就死了...弱化啊弱化！

我绝对是有不满的...整个故事很有神话的味道。

服装，音乐，人物的口音与语气。

觉得每个人都像极了我心目中的那个神话人物。

无论是英雄们，还是女人们（尤其是Cassandra）。

只是海伦一开始天真活泼的样子有点费解...最后交代清楚阿伽门农死在了他老婆的手里，也是一个很不错的手法。

觉得只有这样，一个歌颂爱情的故事才算是有了完整的结局。

百度百科是谁写的？

谁说这是烂片来着？

照我说，有Brad Pitt的那个版本才是烂片。

别叫Troy,叫Achilles风流传算了，更商业更吸引...

Actually, I firstly knew about the well-known myth,Troy,by reading comics when I was young,and that was also the first time I read a western myth with so many heroes.I felt the cruelty of wars and the inequality between human and divinity from the pictures and brief words sideward.To be honest,at that time,it was quite difficult for me to remember those heroes’ names because their names were too long and awkward to read.After I begun to learn English, I acquired that every name of ancient Greek people is of great meaning linked to their parents’ expectation,personal characters,experience or some other things.For example,Helen,the name of the heroine,means light in Greek.Reading their name in English is more smooth.When I can read the literature work of the myth and reflect it more deeply with age.The movie,Helen of Troy,shows us a famous Greek myth,which embraces intense desire,strong request for humanism,and deep love,apart from tragic wars.Though actors may be not able to reprise mythical figures in the movie perfectly because there are unique images of heroes and females in everyone’s heart and the movie don’t reflect the mythy in accordance with the literature completely,the movie reveals themes above excellently.The virtual origin of the war is intense desire.Hera,Athena and Aphrodite were all eager to be judged as the most beautiful goddess,and from my standpoint, the golden apple was the symbol of their desire. To realize their desire,Hera pleased Pairs with wealth, Athena pleased him with victory and glory,while Aphrodite promised the most beautiful woman of the world,Helen,to him.As a shepherd without noble birth,I think it’s normal for Pairs to choose Helen because apart from being accompanied with a beautiful woman to live a happy and simple life,wealth,victory and glory were almost rubbish for a mortal. At that time,compared with three goddesses,Pairs was a simple guy without strong selfish desire,but never could he think of that goddesses’ desire made wreaked havoc of war and his fate and Troy’s fate would experience major turning due to his selection.At beginning,Pairs did not want to bring wars to his motherland and Greek city-states.He was so poor to be condemned as the culprit of the war and Troy’s subjugation.In the movie,the desire of Greek kings that expanded their territory was also the origin of the war--it was unreasonable to launch a war which unified all Greek city-states’ power only for retaking a woman and safeguarding the reputation of Greece.In the movie,when Menelaus was aware that he couldn’t kill his rival,Pairs,on account of the guard of god,so he stopped attack.Then the two men sat down together and had a talk about Helen and the war calmly--their final silence indicated their consensus that the war was actually meaningless and people should have not killed each other.Later Helen’s surrender could not stop the war,which also proved the main purpose of Greek armies was not Helen. As I see it,Pairs was innocent,and it was the desire of gods and kings brought people pain.Like many other western myths,strong request for humanism is also an important topic of the myth. It’s widely believed that the origin of humanism in western world lies in Greek culture.Humanism advocates personal freedom,equality and self value that are strongly expected to get by oppressed people. The myth can be perceived as a Greek condemnation on oppression and the strong request for humanism--people ought to dominate their own fate and their lives shouldn’t be toys of power.From the beginning to the end,gods made great difference.It’s unusual that the movie shows the power of gods indirectly--no god appeared in the battlefield but their power existed.It’s easy to find that people were unable to resist the wish of god and the duels between two heroes were interfered by gods’ power,which led to numerous amazing results.Beside,in my opinion,Princess Cassandra is a crazy,cold and poor figure whose spiritual world was dominated by gods--she clung to oracle that if Paris lives,Troy will be burnt,and she attempted to prevent the oracle coming true by a negative means--kill her brother.What she wanted to do was so cruel and in the meanwhile,her life was obsessed by the oracle,which led her life unhappy and full of scare.To be honest,the act of the actress exaggerates the image of Princess Cassandra,but it can immerse ourselves in ancient Greek’s fear to the gods and their prediction,how god’s power controlled people’s life and people’s strong request for humanism.Last but not least,the element of love will never absent in Greek myths.I find that love is the common nature of human,nymphs as well as gods in Greek myths,and love can’t be eliminated completely by no means.The first scene of the movie was the birth of Paris-- when Paris was born,his elder sister，Princess Cassandra,who had the power to see into the future told her father,the king of Troy,a dire prediction that if the baby boy lives,Troy will be burnt.Thus the king decided to abandon the little baby,at that moment,it was maternal love that prompted the queen of Troy to struggle to rise up to recapture her son,but she failed. Many years later,when the king and the queen realized that the guy on the sand of the colosseum was their abandoned son,they hugged their son and recognized him,forgetting the terrible oracle.The plot of the movie was adopted from the literature and added more details about sincere emotions of human.For example,when Paris limped after a desperate fight against Menelaus,Hector offered to take the place of his injured brother to challenge Agamemnon--this is love between brothers.No matter how cruel the war was,sincere emotions always existed.All in all,war is not the core theme of the myth or the movie.I believe concepts that worth pondering in the myth or the movie are abundant.

有预见未来的能力似乎未必是好事，片子里帕里斯的姐姐，因为企图用她预见的悲剧说服父亲，试图改变未来，却换来被自己父亲关进天牢的凄惨情状……而绝大多数的人无法预知，因为无法预知而总盼望着更美好、更幸福，而不肯珍惜身边拥有的……海伦从那个抓阄得来的丈夫身边逃开，为了追寻她的真爱，企图挣扎着得到幸福……于是，海伦和帕里斯相携相守的愿望给战争制造了借口，十年的煎熬和血腥的浩劫由此开始……十年，她和他朝夕相处、甜蜜温馨的十年，却是特洛伊城处于敌人窥视中惶惶度日、城外爱琴海士兵背井离乡、远洋争战备受折磨的十年……最后屠城时，士兵们近乎病态的虐待被俘的弱民，特洛伊城果然如最初的预言一般，成为一片废墟……而，这战争最初的导火者又是怎样的结局呢？

帕里斯在暗夜里冷不丁冒出来的敌人数刀抽刺当场惨死……海伦被敌人强暴，没有一丁反抗的余地，最后的最后，竟然回到了起点——依然跟随着她不爱的丈夫……亲手杀死自己女儿祭神发动战争的，最终却被自己的妻子杀死……还有斯巴达王为了一份迷恋，变成兄弟发动战争的棋子，经历十年的煎熬和等待，换来的是，亲眼看着兄弟强暴自己心爱的女人……我在想，如果人们早知道最终的结果，他们还会去挣扎么？

如果海伦知道她的追寻会让自己心爱的人惨死，而最后依然只能跟随自己原本的丈夫，她难道不会选择把真爱和希望珍藏于心，给所有无辜的人一份安宁与和平么？

一部特洛伊，在100年间断断续续被搬上银幕，翻拍了六七回，一直拍到2004年。

足见美人倾城，是多么唐璜而永恒的借口，让这碗以爱情佐料的旧饭永不冷场。

电影涉足史诗，多以以小见大的手法切入，反正不可能用两三个小时把所有的事情说圆，不如各表一枝，无限放大，其他的就让它化成语焉不详的尘烟。

《Troy》如此，《Helen of Troy》也是如此。

我发现把这两部电影交替着看，才能拼凑出一个大致完整的特洛依。

主线一致，但各有侧重，互为补充。

齐心合力丰满了这场希腊神话中最宏伟的战争史诗。

有足够豪华的明星阵容和宏大战争场面的《Troy》，众神和爱情统统靠边，大概是因为皮特够大牌。

他扮演的阿喀琉斯头不大却比起任何一届都更有情有义，骁勇善战。

就连他的死期也被人尽其才的延长到了木马屠城之后。

所以它的遗憾正如阿喀琉斯的脚跟，微小却是致命的——特洛伊——这么波澜壮阔的名字，不是一两个英雄的战争就能但待得起的。

将近三个小时的《Helen of Troy》，始终以一种平静得近乎残酷的叙事方式，还原了那场超越了战争本身的爱情。

它是关于海伦的特洛伊，比十年的征战，这场爱情的浩劫更加残酷漫长，渗透并贯穿了她的一生。

要把“天下最美的女人”落实到电影里一个活生生的角色，委实众口难调。

所以关于海伦的美貌，是难以言述的形态。

既无关端庄，也不甚妖艳，却以人尽可夫的实用主义幸存到最后，也许才能满足所有人的胃口。

即便她是宙斯和丽达下的蛋，高贵血统和无与伦比的美貌也没能改变海伦的命运，她始终挣扎在女神们的自私和男人们的欲望之中，她的美貌在爱琴海迎风招展，爱情却在惊涛下撕成碎片。

在虚荣和贪婪面前，爱情不过是群雄挥舞的矛，诸神乱射的箭。

这大概也是我喜欢希腊神话的原因，在神灵面前，人类表现出来的抗争和无奈，背后都隐藏着无法逾越的巨大悲哀。

“What a man has to learn through suffering is not this or that particular thing, but the knowledge of the limitations of humanity, of the absoluteness of the barrier that separates him from the divine. It is ultimately a religious insight-that kind of insight which gave birth to Greek tragedy”电影海报：从电影海报就能看出这两部电影的侧重。

左幅是03版的《Helen of Troy》，右幅是04版的《Troy》。

主题曲：Remember——Josh Groban 2004年 希腊歌剧院的现场版Remember, I will still be here,As long as you hold me, in your memoryRemember, when your dreams have ended,Time can be transcended,Just remember meI am the one star that keeps burning, so brightly,It is the last light, to fade into the rising sunI'm with you,Whenever you tell,My story,For I am all I've doneRemember, I will still be here,As long as you hold me, in your memory,Remember meI am that one voice, in the cold wind,That whispers,And if you listen, you'll hear me call across the skyAs long as,I still can reach out, and touch you,Then I will never dieRemember, I'll never leave you,If you will only,Remember meRemember me...Remember, I will still be here,As long as you hold me,In your memoryRemember,When your dreams have ended,Time can be transcended,I live forever,Remember meRemember me,Remember... me... http://www.x5dj.com/UserForum/00100089/00228998.shtml

借给看过彼特饰演的特洛伊的好友，觉得还是这个更好些，起码在选角色上让人比较信服。

奥兰多饰演的主人公未免太瘦弱了，而这部的演员，包括海伦在内，都给人无比深刻的印象。

因为有对比，所以觉得还不错，推荐之。

海伦,正是这个女人导致了斯巴达和特洛伊的战争, 背叛丈夫, 侮辱了斯巴达.经典一幕发生在特洛伊城破之时, 当士兵们山呼斯巴达王, 杀了这个引祸的女人, 但是她的美貌, 竟然使得见惯腥风血雨的斯巴达王, 下不了这个手……这使人想起 中国唐代的杨贵妃，在兵变之际的唐玄宗在马嵬坡，狠心送她走上不归之路... 这两个不同命运的女人，她们的生死竟然取决于丈夫的政治生命：斯巴达王胜，海伦可以活，唐玄宗败，杨贵妃必须死。

所有的战争过错，都归咎于这两个女子的罪过，究竟是她们的背叛与惑乱导致战争，还是男人的贪欲造成了灾难。

这，真令人惋叹……

This movie tells us a story rather a piece of history. A story xabout love, desire and fate.Instead of Trojan War, the movie focuses on the most beautiful woman in the world, Helen, and talks about her happiness, sadness, and her love story. This movie basics on the mythology of Trojan War, which remain for 10 years between Troy and Greek. Besides, the director and screenwriters add a lot of imagination of Trojan War into the movie, which makes this movie more attractive and dramatic than the history it is. The myth of Trojan War is about men’s power and strength. In “Helen of Troy”, the principle line is centring on Helen, and this original perspective of Trojan War brings us a new story and gives us another understanding of this myth. Compared with the fight scenes between two countries, the movie uses more parts to narrate the story of Helen. What’s more, it turns Trojan War from a ruthless war story into a moving love story. At the beginning, infant Paris was predicted by his sister that his growth would bring the whole Trojan into death, and he was abandoned by his cruel father. The destiny was unfold before audience. Under the guidance of the goddess Aphrodite, Paris saw Helen from the gold apple, and Helen saw him in the water. Then they could not help but fell in love with each other. Their love were not accepted, because when Paris found Helen, she was wife of the king Sparta, Menelaus. Paris and Helen confront their love and impediments, however, this cause the conflict between Troy and Greek.From this movie, we can see the tragedies of women directly. They did not have any rights to do what they like. They could not choose their loves, and women then were just used as a tool for men’s game of thrones. Such as Helen, she knew herself loved Paris when she saw him first time, but she still had to marry Menelaus. She could not make decision for herself. It is very ridiculous to blame Helen on causing the big war. Cassandra, who predicted the ending of Troy, always said that Helen would bring Troy into disaster. Who caused the war exactly? It were the aggressive men. Helen was just a brave woman who followed heart and chased her love. The emulative dominators would still fight against each other even if Helen did not escape with Paris. Helen was used as a tool or a reason for men’s conquer. Therefore, it was not fair for Helen to undertake the responsibility of Trojan War.There is another question, what is the fate? In Cassandra’s eyes, Paris made Troy burnt, and Helen’s arrival brought Troy unfortunate is the fate. Nevertheless, in my opinion, the fate is that Helen and Paris hit it off right from the start. The fate in this story is love rather than the war.In addition, we can see the greedy and cruel men in that period especially in Greek. Agamamnon and Achilles are described as such hateful men. By contrast, Paris and Menelaus are more kind and lofty. In fact, before I watched “Helen of Troy”, I was more supporting Greek side, because it was Troy who had prior fault, and it was Paris who robbed Menelaus’ wife. However, the charactors in this movie were depicted very vivid, it successfully changed Paris into a brave, kind, and upright boy, and also, Menelaus became a humane person. The background music of this movie is beautiful and graceful, and it sounds like telling a sad story. Especially after Paris was died and Troy was occupied by the Greeks, Paris appeared infront of Helen, which was just the hallucination of Helen. The frames combined with the music makes audiece feel regretful for Helen. Trojan War was a disaster, not only for Troy, but also for Helen.As the movie tells us at last, “War is waged by nations, but it is the human beings that pay the price.” The poor citizens suffered the severe pain, as well as Helen, the poor woman who lost her love, the love which she ever called it “hope”.

特洛伊战争是荷马史诗的第一部，讲述了希腊人如何攻打特洛伊人的整个过程。

在里面诞生了两个史诗级的英雄，阿基琉斯和赫克托。

两个都是我很喜欢的人物。

但我认为在电影的前半段他们只能被称作勇士，在经历了内心重大选择的洗礼后他们才可以被称作真正意义的英雄。

首先，阿基琉斯在神话中是人和神之子，但是电影中没有像神话一样把他形容得像一个不死之身。

他在无敌的同时也是桀骜不驯的，但是拥有巨大力量的阿基琉斯却很迷茫，似乎他的存在只有征服和杀戮，他一直奉行的个人英雄主义背后却是满满的空虚。

而赫克托，是一个好儿子，一个好哥哥，一个好丈夫，他是一个好王子，他为了国家而战，为了所有国民而战，他没有退缩，承担了属于王子的那份责任。

但面对阿基琉斯的对决他也同样动摇过，看着妻子熟睡的侧脸和隆起的小腹，他也渴望自己能够陪伴在家人身边，谁不希望可以好好活着呢？

可悲壮的是他明知自己会输，也勇然为了自己的国家依然选择了一场赴死的战斗其中值得一提的是我被阿基里斯的伟大和深厚的英雄主义色彩震撼到的瞬间，并不是他以一敌百的时刻，也不是他为表弟复仇的怒火。

而是在木马屠城时，他最先想到的是拯救那个心爱的女祭司的生命。

在这时驱动他前进的并不是之前一直奉行的个人荣誉与尊严，而是爱。

也同样是爱带来的恐惧与脆弱，让他暴露了弱点和软肋，并最终为爱而死。

但也正是爱，让他人性的一面烨烨生辉，让那个所向披靡，整个希腊为之颤抖的战神留名万世，让后人都生活在阿基里斯的时代。

我喜欢希腊的勇士，喜欢他们的勇气，喜欢他们最求人的价值。

这是一个伟大的时代，也是一个英雄的时代。

而这部电影，告诉我们真正的英雄主义是可以怀揣着脆弱与恐惧前行的。

没有弱点的是神，而爱与信念才是让我们可以“明知不可为而为之”的第一驱动力。

号称是几年前拍的关于troy战争的故事，相对比较尊重神话。

一开始是paris出生后被预言将带来troy的灭亡，所以被放到高山上扔掉，然后被牧羊人捡回去抚养。

Paris长大后某次在梦中被三位女神挑中负责金苹果的送出。

猫一直觉得Paris是个倒霉鬼，这个工作不管给谁都是死路一条啊。

之后Paris因为机缘巧合回到Troy，被国王王后认出是自己的儿子，过上了王子的生活。

而后Helen先被希腊王从自己的小城邦里抢走，而后又被嫁给了斯巴达王，在婚礼上见到了Paris，然后就跟着跑啦。

这段是编了，不过猫认了。

之后就是战争，而后攻陷troy之后，阿伽门农强暴了helen然后杀死了她，故事结束。

神话里的helen更有可怕的力量，她嫁了斯巴达王好几年，生了好几个儿女，跟着Paris跑了十几年，troy破了之后重新见到斯巴达王，哭诉自己是被欺骗的，然后斯巴达王就看在夫妻一场和儿女的份上原谅她，带她回去了。

这个..........当时猫真的觉得这个女人做绝了。

至于Paris，见到helen之前也结过婚，因为helen而舍弃了自己的发妻，受伤之后赶回去求自己的妻子救自己，然后妻子没有救他，任他死在自己的神庙山下，之后妻子自杀殉情。

猫认为是殉情。

神话里猫只喜欢Paris的妻子而已，哪里的公主，为了Paris背叛自己的国家父兄，又被抛弃孤零零在神庙里生活很多年，嗯，做的非常坚决啊。

Helen号称是宙斯的女儿，所以有无人能及的美貌。

猫觉得这个演员的选择和新版Troy里面helen的人选有些相似之处，不过猫喜欢新版Troy，就冲帅哥也喜欢新版的，台词弱就弱吧，猫不在乎啦！

看新版的没有那个感觉，因为一代英雄阿伽门农看起来就是个糟老头子，最后还不明不白的死在一个小女孩手里，唉～～～旧版的阿伽门农比较有气势，人选的非常好，枭雄的感觉，让猫有冲动说猫要是编剧就让helen第一眼爱上阿伽门农。

旧版里面阿伽门农出于政治原因娶了Helen的姐姐，在第一次见到helen姐姐的迎亲会上见到helen，立刻被吸引了。

之后夺回helen，一群男人决定说抽签决定谁娶helen，并且其他男人都要发誓用自己的兵力维护这个男人和helen的婚姻。

斯巴达王，也就是阿伽门农的弟弟，生活在哥哥阴影里的弟弟赢了。

他看起来是最不男人的男人，一群王决定抽签决定helen的将来，他不愿意，其实是怕自己得不到，一群王决定用自己的兵力维护helen的婚姻，他又不情不愿。

发现自己赢了之后立刻变了一张脸似的对阿伽门农说，哥哥，跟你想的不一样吧。

阿伽门农就是枭雄的气势，抽出刀说，我立誓用自己的兵力维护你和她的婚姻。

唉！！！！！！

Helen真是没有眼光啊。

新版的里面，helen的变心比较有理由，丈夫老醜无趣，Paris年少英俊风流体贴，Orli演的啊！！！！！！！！！！！！！！！

当然是叱刹地中海的第一情人！！！！！！！

旧版的里面，猫就不太明白啦，只能说是神的安排，爱神让Helen跟Paris走，因为阿伽门农明明比Paris强出很多很多，Hector也明显是英雄风度........唉，Paris就是一个牧羊人啊，居然Helen就跟了他了，引发十数年的争战啊，真是没话讲。

然后～～～说猫变态吧，说猫善恶不分吧，猫居然不讨厌最后阿伽门农对helenXXX，竟然有种哎呀，真是枭雄啊，helen应该开心涕零啊........猫承认这个念头非常变态，所以猫接受批评，猫真是非常非常变态，猫对不起你，Helen，真的对不起。

咳咳，多说一句，猫绝对反对有些人的错误观念，认为女性会喜欢被强X，甚至会爱上强X犯。

这是完全不可能的，就算那个女人是受虐狂，在强X的情况下也几乎不可能，这是数据证明过的。

世界各地的法律组织，妇女保护组织，医疗组织，社会急救组织都可以证明这一点，有过强X不幸遭遇的女性是很难喜欢性生活，享受正常性生活的。

再多说一句，有这种想法的只有什么都不懂的男人，建议去找真正的女人，从聊天开始过渡到上床吧，A片是不可能传授正确的观念和正常的女人的。

特洛伊战争，是浪漫和战争完美结合的经典，这十年的故事却不是一场偶然，而是由神之手早已注定。

电影《新木马屠城记》将这一历史经典演绎到了极致，浪漫的爱情，残酷的战争，亲情的羁绊，阴险的谋略，时而惊心动魄，时而感人至深。

特洛伊战争是一场悲剧，有歌颂，有讽刺。

战争的导火索——特洛伊王子帕里斯，最终在黑夜中的逃亡路上被突然出现的敌人抽刺数刀，当场惨死。

这似乎就是在提醒着，不管是谁，写了故事的开头，就要由他完成故事的结局，不管是好是坏。

而当我们感慨于一个低贱甚至为了赢回耕牛而不惜代价地参加决斗的牧羊人小子瞬间转身变成高贵的特洛伊王子的时候，特洛伊也不知不觉决定了自己的未来，当特洛伊全城上下为帕里斯的回归举杯欢庆的时候，人们并不知道，在未来，他们将被屠杀殆尽，无论男女老少；他们的家将被纵火焚烧，无论高贵低贱。

除了卡珊德拉。

卡珊德拉，特洛伊公主，国王普里阿摩斯的女儿。

从小拥有独特的预言能力，能够准确地预见未来。

当她的母亲刚生下帕里斯的时候（当时帕里斯刚生下的时候名为亚历山德罗），卡珊德拉就已清楚地预见了特洛伊最终会因为帕里斯的存在而亡城。

国王普里阿摩斯没有把小卡珊德拉的预言当做儿戏，他狠下心来把自己的亲生儿子让手下从山上扔下去。

从他略微的轻率中，我看到更多的是一个国王的睿智——为了保护这座城市，为了保护他的人民，牺牲自己的儿子。

让我惊讶的是，普里阿摩斯发生了重大的转变。

当他知道和赫克托决斗并且获胜的牧羊人竟是自己多年前差点亲手葬送的儿子时，他显得格外诧异，惊讶的表情中却带着些许的喜悦。

而这时候，卡珊德拉再一次劝告普里阿摩斯杀了帕里斯，但沉浸在幸福之中的普里阿摩斯没有听进她的忠言。

更有甚者，当帕里斯从斯巴达王手中偷回了他的妻子——最美女子海伦、希腊率领着爱琴海最强大的海军舰队前来进攻的时候，普里阿摩斯为帕里斯和海伦举行了婚礼，或许是因为他自认为特洛伊攻不可破。

这时卡珊德拉最后一次劝普里阿摩斯杀了帕里斯和海伦，普里阿摩斯却二话不说直接把卡珊德拉扔进了监狱，卡珊德拉因此变得疯癫。

这时的普里阿摩斯已不再是当年的他自己，缺少了些许考虑。

卡珊德拉在一定程度上，我认为，象征着不被重用最终抑郁而死的忠臣。

当时古地中海地区政治上实行森严的等级制度，在这样的政治体系下，君主高高在上，群臣俯首。

卡珊德拉“逆耳”的忠言最终让她自己成为古老的等级制体系的牺牲者。

一直在想着，如果普里阿摩斯坚持了自己当初的决定，听从了卡珊德拉的劝告，杀了帕里斯，那么特洛伊战争会不会就因此不会发生。

或许这就是古希腊故事的神奇之处，让读者去想象着最终可能性，同时却让读者不得不服故事的最终结局。

同时要提到的是战争，这里的战争简直就是一场儿戏，其起源仅仅是因为一个女人，当然这其中不乏虚荣的自尊心，对于城池的贪婪之心以及对爱情的执着之心。

帕里斯更像是一位浪漫的理想主义者，他不顾后果坚决带回了海伦；对特洛伊城池垂涎已久的阿伽门农劝诱他的弟弟斯巴达王进攻特洛伊，并不惜杀了自己的女儿作为出行时对神的祭祀品；斯巴达王出于虚荣的自尊心，或许还有一点点对海伦的爱惜之情。

特洛伊战争就这样开始了并延续了十年之久。

从另一个角度来看，这场特洛伊战争——贵族之间玩笑一样的开场却带来了生灵涂炭，灾难无数。

虽为无意，但贵族却能玩弄平民于手指之间，平民是这场战争无辜的受害者。

平民总是战乱时代的受害者，或更确切地说，平民总是这个原始专制制度下的受害者。

浪漫？

残暴？

不同的人对于特洛伊战争持有不同的读法和看法。

因而，特洛伊战争是好是坏不再重要，它已然积淀成历史，并成为经典。

我们记住的，更多的是浪漫的爱情，机智的谋略和伟大的英雄。